FILM ABOUT RITUALS SURROUNDING DEATH ON
BALUAN Ngat is Dead:
Studying Mortuary Traditions A film by
Christian Suhr Nielsen and Ton Otto; filmed on location in Papua New Guinea;
2007, 59 minutes, English subtitles Time: Friday June
6, 10.00 hours (Dutch premiere) Place:
Tropentheater Kleine Zaal, Linneusstraat 2, Amsterdam, The Netherlands Site: http://www.beeldvoorbeeld.nl/2en/fs.html
(English) And: Ton Otto will be present (on and off screen)
What does it mean
when anthropologists claim to study the cultural traditions of others by
participating in them? This film follows the Dutch anthropologist Ton Otto, who
has been adopted by a family on the island of Baluan in the South Pacific. Due
to the death of his adoptive father he has to take part in mortuary ceremonies
whose form and content are however forcefully contested by different groups of
relatives. Through the ensuing negotiations Ton learns how Baluan people
perform and develop their traditions and not least what role he plays himself.
The film is part of long-term fieldwork in which filmmaking has become
integrated in the ongoing dialogue and exchange relations between the islanders
and the anthropologist. Camera, editor:
Christian Suhr Nielsen Sound: Steffen
Dalsgaard Producer: Ton Otto
and Christian Suhr Nielsen Contact: Christian
Suhr Nielsen T: +45 31600031 E:
christiansuhr[at]gmail.com Christian Suhr
Nielsen, born in Denmark, is a student at the Department of Anthropology at the
University of Aarhus. He has produced a number of films for ethnographic
exhibitions at Moesgaard Museum and is the director of the film Want a Camel,
Yes (2004) about tourist-camel driver interactions at the Pyramids in Giza,
Egypt. He is currently working on a new film about a large cultural festival,
which took place on Baluan Island, Papua New Guinea in 2006. Ton Otto, born in
The Netherlands, is professor of anthropology at the University of Aarhus. He has
conducted fieldwork in Papua New Guinea since 1986, most of the time on Baluan
in Manus Province with a focus on issues of social and cultural change. From
his first fieldwork he has used video as part of his research and analysis but
also as a means of exchange with the local people, who value receiving films on
their culture. This is his first film intended for a wider audience. |